Lambeth Windows

Lambeth windows are a form of sash window. They are typically made of wood, and the design is influenced by architecture and style of the building. The sash windows at St Margaret's Church, Lambeth, Kent, have a simple, symmetrical look with the central panel constructed of stained glass.

Pedlar's Window

The Pedlar's Windows is a bit misleading because the pedlar was not a real one, but was a 17th-century pedlar. Henry Smith was his name. As a matter of fact, he was a benefactor with a great example being his charitable donations. The current County Hall inherited his lands.

Despite his generosity, the Pedlar was not the first person to grace the halls of St Mary's Church. In the 13th and 14th centuries, this wasn't the situation. In fact the local priest was the Pedlar of Swaffham. Once he had a prosperous enough life, he vowed to donate land to the church. If all went well he would even lend his assistance if required.

One thing that has stood the test of time is the Pedlar's Window. In 1500, the first stained glass window was constructed. It was eventually replaced in the middle of the 19th century. Unfortunately, the original glass was destroyed in the course of a World War II bombing raid. The window is maintained in good condition through gifts, donations, and a small office.

There are other lesser known and more prestigious attractions around the Lambeth area. Lambeth Abbey and St James Park are some of the most well-known places. These are all worthy stops but if you're seeking something less well-known, you could do worse than visit St Mary's Church or Pedlar's Park. The park is situated just away from the city's center and is a great place to take in some greenery along with a history and the feeling of wonder. The Salamanca open space was named after the 1812 Battle of Salamanca in Spain is also in the Pedlar's park.

King's College Chapel

The King's College Chapel houses an array of medieval stained glass windows. Some of these windows are quite amazing. One window, for instance illustrates the Crucifixion that is spread across three lights.

The King's College Chapel's windows are the place where the northern Renaissance style reached its top. This could be the work of Sir Christopher Wren, the great architect. There are twelve large windows on either side of the chapel. These windows are mostly composed of scenes from both the Old and New Testament.

The west window of the nave is the biggest field of glass painted in the church. It is also among the most striking. It is an extraordinary window that is not just a representation of the Crucifixion but also has an incredible significance.

The window was donated by Francis Stacey, a King's alumni. At present, Daniel Hyde is director of the choir's music. He has been the director of the choir since 1982.

The north wall displays figures from the Old and New Testament. The north wall includes the Gospel writers, Mary the mother of our Lord, Moses and Aaron.

The ante-chapel houses other windows of significance. The Rood screen contains biblical scenes, including images of King Solomon and a young woman in profile. A screen was constructed in Westminster Abbey during Henry VII and the reign of Henry VIII. Many of the interlocking H's and HR's are symbolic.

A second large window, dating from the 18th century's early years, was commissioned by Bishop John Russell of Lincoln. This window is the only one of its kind. Another window was also ordered in Stamford St. Martin's Church.

While certain of the other security door repairs lambeth windows in the King's College Chapel Chapel were destroyed by the Second World War it appears that the original glazing is still in place.

St. Margaret's

St Margaret's Cathedral is a Gothic building in Lambeth, England. It has a huge tower that is visible near Parliament Square. It was rebuilt between 1499 and 1500. The nave is divided into twenty windows as well as a clerestory.

The church's east windows contain glass from the pre-Reformation period. The window is believed to date to c.1525. Hunt's window shows a crucifixion as well as the Cross over three lights. It is part of the northern Renaissance style.

Robert Hunt's window is amongst the best in the city. The window was erected during the restoration of St Margaret's Cathedral. He may not have been the sole donor. Other donors could have contributed for the glass and its transportation.

The exact dates of the Lambeth windows are not known, but they are not the first windows to be coated in England. There are a few mentions in churchwardens' accounts. Hunt might have been the one to commission the glaziers, but it is possible that they were in partnership with other donors.

Hunt's window is a wonderful illustration of personalization in the late medieval England's parish church space. The images are comprised of stories and scriptures from both the Old and New Testaments. Hunt and his family are depicted.

The image also includes 12 saints who are named. Certain saints are easily identified while others aren't widely known. Aside from Hunt's personal choices The imagery reflects Hunt's devotional beliefs.

Hunt's window is mentioned in churchwardens' accounts in the year 1500. The motive and intent of his window are not clear. However, his will provides an explanation for the absence of glaziers' names in parish records. The will also suggests that glazing in late medieval parishes may be funded by individuals, not an organization.

Croydon chapel

The 18th century saw a reconstruction of the Chapel of St Margaret's in Croydon. It has five side windows. The west window has a small blocked light. It was likely installed by Archbishop Bourchier.

The south wall houses Old Testament figures such as Moses, Aaron, and David. Mary Magdalene is also present.

Four Gospel writers are found in the north wall. A doorway is also located in the north wall of the west wall.

The east window is engraved with Roman capitals. Near the upper corner is a small niche that has a modern grate. A pair of keys from a saltire are located just above the window.

Another window in the chapel has vertical tracery. The oriel windows are decorated with the ogee-moulded jambs. There were originally four lights inside a four-centred head. However, the upper part has been blocked.

The doorway at the north west end has a leaf motif. The basement partition is made out of stone. The room is small, and has an open fireplace that has a moulded four-centred head.

The long gallery that runs along the eastern wall appears to be half-timbered. The staircase of the 17th century is situated in the upper part of the west wall. The ceiling has moulded joists.

The stained glass windows in the apse were created by George Gilbert Scott. Apart from these, there are also two smaller windows in the nave. One has a modern clock-face. The windows have oak frames that look similar to those on the exterior elevations.

The chapel was rebuilt by Archbishop Bourchier. He extended the chapel to the east and added a block made of timber to the connecting block. He also repaired the fabric after the Commonwealth. His tenure saw an incredible expansion of the buildings on the hill.

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